Waylon Jennings was a true pioneer of the ‘outlaw country’ movement that emerged in the 1970s.
Instead of following the mainstream Nashville sound, Jennings and other artists embraced a more rugged, edgier sound that combined elements of country, honky-tonk, and rockabilly.
Engaging in darker and more rebellious lyrical themes, outlaw country was a departure from the polished, smooth production of Nashville, and also distanced itself from the sounds of renowned producers like Chet Atkins.
Before his foray into outlaw country, Jennings had a fascinating musical history. He was a bassist for the rock and roll legend Buddy Holly, and notably gave up his seat on the plane that ultimately crashed and claimed the lives of Holly, The Big Bopper, and Ritchie Valens.
Throughout his career, Jennings was influenced by icons such as Elvis Presley, Hank Williams, and Ernest Tubb, honing his craft through live performances and recording radio jingles. His distinctive sound was a result of his heavy touring schedule and personal challenges in the early 1970s.
With a preference for his 1953 Fender Telecaster, Jennings expertly blended acoustic and electric guitar playing. His style included complex strumming patterns and unique chord shapes, showcasing his versatility as a musician.
When it came to the more intricate guitar work, Jennings often relied on session ace Reggie Young, known for his work on classic tracks such as “Son of a Preacher Man” and “Suspicious Minds.”
To achieve his distinctive tone, Jennings often used a combination of amp settings and a variety of acoustic guitars, including the Martin D-28, Martin 000-21, and Martin D-35.
